Conference & convention

AV production for your conference or convention

From a one-day convention to a multi-day international conference. We deliver the complete technical production. Sound, video and livestreaming by one team.

Discuss your conference
What we handle

Full technical production

Sound

Full sound system for large rooms, wireless microphones for speakers and panel discussions, clearly intelligible for everyone.

Video and imagery

Projection, LED screens and playback screens for speakers, live switching between camera feeds and slides, session recording.

Livestream

International reach via Teams, YouTube or your own platform, including camera and sound.

Lighting

Through our partner network we also arrange stage lighting and atmosphere lighting.

For which conferences

From medical symposium to industry convention

We provide AV production for a wide range of conferences and conventions:

  • Medical conferences and symposia
  • Scientific conferences
  • Industry conventions
  • Education conferences
  • Professional conventions
  • International conferences
  • Hybrid conferences with livestream
What you need

The right technical production for your conference

From a one-day convention to a multi-day international conference: what you need scales with the scope. A guide per situation.

One-day convention (up to 200 attendees)

A one-day convention is about efficiency: one room, fixed agenda, no mid-event rebuilds. One experienced technician can handle sound and video simultaneously. Video recording is optional, but useful if you want to share sessions afterwards with attendees who could not make it. What you need:

  • Sound system with 4 to 6 wireless microphones
  • Projection with playback screen for speakers
  • Optional video recording of sessions
  • One on-site technician is usually enough

Multi-day conference (200-500 attendees)

Multi-day conferences increase in complexity. More speakers means more microphone swaps, more content means live switching between camera feeds, slides and other sources. One technician will not manage this, you need a team that divides roles. Setup always happens the day before the show, so you are not dependent on fast work on show day. What you need:

  • Line array (stacked loudspeakers) with delay speakers for even sound across the entire room
  • LED screens or large projection plus playback screen for the speaker
  • Live switching between camera feed, slides and panel camera
  • 2 to 3 technicians plus a setup day before the first show day

International conference with livestream

An international livestream makes your conference broadly accessible, but requires its own audio and video feed separate from what happens in the room. Two cameras (wide and close-up) provide dynamics that a static shot lacks. Translation or subtitling depends on your audience, we align that before building. What you need:

  • Streaming platform: YouTube, Vimeo or Teams Live
  • Minimum 2 cameras: overview shot plus close-up on the speaker
  • Broadcast-quality recording for post-production
  • Translation or subtitling aligned with your organiser

Lighting and atmosphere

Lighting matters more than people think. Speakers who are not lit directly disappear into shadow on video recordings. Moving coloured spots and floor-mounted wall lights add atmosphere where standard venue lighting stays flat. We work with a fixed partner network for lighting, so operation integrates seamlessly with the rest of the production. What you need:

  • Front spots for speakers (lights from the audience area that illuminate the stage), always needed when recording video
  • Moving heads (programmable moving spots in multiple colours) for atmosphere during keynotes
  • Uplighters (floor lights that illuminate walls upward) for the foyer and room walls
  • Arranged through our partner network

Common mistakes

  • Scheduling the programme back-to-back without buffer between sessions. Swapping microphones, getting a new speaker in place, loading content: all of it takes time. Five minutes of buffer between blocks prevents your schedule from gradually running late or speakers from getting cut short.
  • Delivering content only on the day itself. Slides, videos and presentation materials that arrive on the morning of the event cannot be fully tested for format, resolution or audio levels. With 48 hours lead time we run through everything and catch issues before your audience is in the room.
  • Cutting back on the number of microphones by letting speakers pass them on. It sounds logical: four speakers in one morning, two headsets swapped between them during breaks. In practice one speaker runs over and there is too little time left to properly hand over, fit and test the microphone. The swap then happens in a rushed, visible way, or the programme stalls while everyone waits. One microphone per speaker prevents this. For larger productions we bring in a dedicated RF technician who manages microphone handovers as a full role.
Example from practice

GLAD Forum 2026, international medical conference, fully by our team

For GA²LEN we handled the complete technical production of this international medical conference. Three technicians on site during one build day and two show days. Lighting, sound and video entirely by our own team, including project management and video direction.

How it works

Four steps to your conference

  1. Get in touch Via the form or email. We schedule a call.
  2. Venue visit and technical plan We survey the venue and draft a plan tailored to your situation.
  3. Setup and test We arrive well ahead of time and test everything before the first guest walks in.
  4. Full presence during the conference Our team stays on site for the entire duration of the conference.

Your conference technically handled?

We schedule a call and draft a tailored quote. Always in writing, always specific to your situation.

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